Paintings that become part of your story

KIRSTEEN’S STORY

“We were fortunate to already own one of Jamila’s paintings, spying it in the window of a gallery during a road trip from Melbourne to Canberra….. that piece resonated so much with us we bought it on the way back home. The commission idea came from ‘just knowing’ Jamila’s talent would beautifully capture a very special piece we wanted for our beach house entry hall.

“We were drawn to the raw emotion Jamila conveys through the composition and texture of her work.

During the process Jamila became personally invested in our story and strived at every step to collaborate with us and bring a joint vision to life! Her genuine care, passion and commitment to working together to create something so unique and special made working with Jamila a delight.

“Our wonderful Moonahs now proudly hang in our entryway, bringing the outside in while filling the area with a feeling of resilience, hope and new beginnings. The piece has transformed our space; it is welcoming, calming, and also conveys a feeling of strength and growth as only nature can do! We often find ourselves pausing to reflect on the piece and soak up what the artwork means to us.

“We would highly recommend Jamila to commission a painting. This was our first time and working together to create a piece together was a lovely experience with a wonderful end result.”

- Kirsteen, Mornington Peninsula Victoria

Every commission begins with a conversation, because every home has a story worth understanding.

The homes I remember most are never the ones that have been perfectly styled. They are the homes that have evolved over many years; books with softened spines, a favourite chair beside the window, flowers from the garden in an old bowl, dogs stretched across the floor, photographs that have multiplied with time, and paintings that have become so familiar they feel as though they have always belonged. I think a commissioned painting finds its place in a home in much the same way.

Before we speak about size or composition, I like to understand something about the life your painting will become part of. Prior to becoming a full-time painter, I spent over two decades working as an anthropologist in Papua New Guinea, Fiji, Mexico, Guatemala, Turkey, The Philippines, and many other incredible places. My work centred on understanding how people lived, the communities they built, and the places they called home. Although my work has changed, that way of seeing the world has never left me.

One of the greatest privileges of my work is being invited into people's homes. A home reveals far more than dimensions and floor plans; it reveals something of the people who live there, what they value, how they use space, where they gather, where they retreat, how morning light travels through the rooms, and the atmosphere they have nurtured over many years. My role is never to impose a painting upon that story, but to understand it well enough that the finished work feels entirely at home within it.

When I spend time with collectors we might talk about the room itself, the gardens they have loved, places that have stayed with them, books that continue to accompany them, or colours that seem to have followed them throughout their lives. These conversations shape every painting far more than measurements ever could and they form part of my understand long before I step in to the studio.

Whether we meet in your home or via video we take time to discuss scale, framing, budget, composition, and delivery. Every decision is considered with your home in mind.

While my own work often returns to Prussian Blue, French Ultramarine, layered botanical greens, softened pinks, butter lemon yellows, ochres, rusted oranges, mulberries, and rich crimson, a commission is never about asking you to adopt my palette. Colour is deeply personal.

Some collectors are immediately drawn to blue. Others speak about the green of the woodlands around their childhood home, the blush of a dahlia in their garden, the changing colour of the gum tree on the corner, or the warmth of afternoon light remembered from Italy. Together we develop a palette that feels entirely at home in your space, and meaningful to your life.

One of the pleasures of commissioning a painting is that it need never begin with a predetermined size. The dimensions below represent some of my most frequently commissioned works, but they are simply a guide. I regularly paint larger works for generous architectural spaces and equally enjoy creating more intimate paintings. Some homes ask for restraint; others invite a more expansive gesture. The room almost always tells us which is right.

The beauty of commissioning a work is that you acquire a painting created specifically for you — considered in scale, proportion, and palette — designed to live harmoniously within your home. It is a truly personal acquisition.

My intention has always been to create paintings that bring beauty, warmth and delight to a home; paintings that feel as though they belong and become part of your story.

The Commission Process:

Every commission begins with a conversation, either in your home or via video if you're further afield. Once we've discussed your space, the atmosphere you'd like to create, scale, composition and palette, I'll prepare a proposal for your consideration. When you are happy to proceed, a 50% deposit secures your place in my commission schedule and the painting begins. I'll keep you updated throughout the process, and once the work is complete I'll send photographs and video for your approval before framing and delivery. The final balance is due upon deliver of your painting.

Materials

Every painting begins on imported Italian linen stretched over kiln-dried timber. I paint exclusively in oils, using predominantly European pigments whose depth and luminosity I have admired for many years. Once completed, each work is professionally framed here in Brisbane. I have a particular affection for Blackwood because of its warmth and timeless character, although the final framing choice is always yours. The painting should feel completely at home in the room for which it has been created.

Investment

There is no additional fee for commissioning a painting. Prices are determined by size and include professional framing, complimentary delivery throughout Australia, international freight and transit insurance.

Frequently commissioned sizes include:

• 103 × 84 cm — $3,550
• 110 × 110 cm — $5,165
• 153 × 76 cm — $5, 173
• 130 × 100 cm — $5,173
• 140 × 160 cm — $9,200
• 200 × 110 cm — $10,650

These sizes are intended as a guide rather than a limitation. If your home calls for something larger, smaller or entirely bespoke, I would be delighted to discuss it.

For international collectors, any local duties or import taxes remain the responsibility of the purchaser.

A woman with curly red hair wearing a black shirt and apron, painting on a canvas in an art studio with colorful floral paintings in the background.

Time frame

Oil paint has its own rhythm. It cannot be hurried, and I have always appreciated that about it.

Once your painting is complete, I will send detailed photographs and video for your approval. We then allow the paint to cure naturally before framing and delivery, usually between three and six months depending upon the season and the thickness of the paint.

There is something rather reassuring about that rhythm. A painting intended to become part of your story deserves the time it asks of both artist and collector

I would love to hear about the place you call home.

Begin a conversation…

E: jamila@jamilahumeart.com
T: +61 409 309 193

A large painting of a colorful flower garden with blue sky, hanging on a light green wall in a dining room with wooden table and chairs.

JEN’S STORY

Jen spent five years living with an empty wall - quietly holding space for something she knew had to be just right. The painting, ‘Gloria’, was created on commission for she and her young family in Brisbane.

Its name was chosen by the collector herself, it is her grandmother's name - making it all the more personal - a reflection not just of the work, but of her story.

Her home already carried deep meaning. She had inherited her grandmother’s dining table and sideboard - pieces rich with memory and history. But the large wall around them remained untouched. Not for lack of trying, but because she was waiting. For five years, she searched. And then one day I saw her as she was getting in to her car... she had on a top with the name of a surf store on it. I knew the store in Tofino, British Columbia and so I had to say, HEY! It was a funny moment as she was stunned. Samford Valley is a small area of Queensland and Tofino British Columbia is not well known outside of Canada... We giggled, exchanged stories and then she said, wait, are those paintings, I've been seeking something...

Jen walked in and knew right away. My paintings of rambling cottage gardens reminded her of her grandparents garden in Victoria, B.C. and she wanted one. We set a time for a visit and I went to her home. We toured her home and garden, I heard family stories and learned about how she used her space. ‘Gloria’, 2m x 100cm, was an absolute delight to paint and Jen tells me she has tea every morning with her.

Visit the Studio

My studio is where I spend most of my weekdays painting, thinking, and preparing for upcoming exhibitions and commissions. While it isn't open for casual visits, I always enjoy welcoming collectors by appointment.

If you're in Brisbane and would like to view available works, discuss a commission, or simply spend some time in the studio, I'd be delighted to hear from you.

T: +61 409 309 193

E: jamila@jamilahumeart.com